Ventriloquist Archives

Ventriloquists Are Not Born

Undoubtedly in ages past the art was practiced secretly by a corrupt priesthood to strengthen its power over ignorant and superstitious peoples, and only in modern times has ventriloquism emerged from the veil of mystery which enshrouded it. But even in these latter days, pro-fessional ventriloquists have taken care to carefully foster the idea that only to a favored few is vouchsafed the so-called power of ” throwing the voice.” With rare exceptions they have zealously guarded the methods used by them in the production of ventriloquial effects, and have usually tried to discourage eager inquirers with the assertion that “one must be born that way.”

Therefore, in presenting a reliable and comprehensive treatise on ventriloquism and its allied art polyphony, I feel that I am meeting a genuine need. Handbooks on ventriloquism have been published before, but few of those published in this country have attempted anything more than a superficial treatment of the subject, and are therefore of little use to the general public.
For many years I have studied and practiced ventriloquism, and   from   the experience thus gained, have endeavored to write a genuine work¬ing manual, not only for the beginner, but for the professional performer as well. If those inter¬ested at all in ventriloquism will give to this book the amount of thought and attention which I myself have devoted to its preparation, I shall feel repaid for my attempt to shed illumination upon a subject about which little of practical value has hitherto been published.

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Although the particular cause and char¬acter of the sounds have never been satisfactorily explained, the state of expectancy with which the silent and probably awe-struck worshipers awaited the sunrise, and their sublime faith in the reality of the phenomenon, were distinctly favor¬able to the production of a ventriloquial illusion by an attendant priest.
Mention is made in the Acts of the Apostles (16 : 16), of a young1 woman with a familiar spirit meeting the Apostles in the city of Philippi in Macedonia. Such divination is also referred to by St. Chrysostom and other early Christian fathers; and in the East, where it has been practiced for upward of three thousand years, it is still not uncommon.

If there is any doubt as to the part ventrilo¬quism played in this divination by a familiar spirit, there can be none in the method employed by the Greeks, which was termed gastromancy. In this the voice of the “spirit ” made its oracular replies apparently from the priest’s belly, the diviner himself standing in the meanwhile with impassive countenance and immovable lips.
Coming down to modern times, we find that Louis Brabant, valet de chambre of Francis I, won for himself a rich and beautiful heiress by aid of his wonderful talent as a ventriloquist; and the works of M. L’Abbe La Chappelle, published in 1772, contain references to the astonishing ventriloquist achievements of Baron Menge at Vienna, and those of M. St. Gille, a grocer living near Paris.
Another famous ventriloquist performer, M. Alexandre, was also so great an adept at changing his coun¬tenance, that at one time he completely deceived a sculptor, before whom he sat five times in the borrowed character of a famous clergyman of Abbotsford, with whom the sculptor war well acquainted.

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Ventriloquism Used In Ancient Eqypt

By the Mosaic Law, which was given about fifteen hundred years before Christ, the Jews were forbidden from consulting those having familiar spirits. So accustomed, however, were the Hebrews, who had evidently become ac­quainted with the voice during their captivity in Egypt, with this mode of divination that one of their prophets compares it to the power of sancti­fied utterance where he says (Isaiah 29: 4): ” And thy voice shall be as one that hath a famil­iar spirit out of the ground, and thy speech shall whisper out of the dust.”

 

Just where the Egyptians obtained their knowl­edge of the art is uncertain, but in the perform­ance of the ” mysteries ” which accompanied their worship of Osiris, the judge of the dead in the lower world, a seemingly unearthly voice, proceeding either from the earth or from overhead, played no unimportant part. Inasmuch as the voices described were such as have always been peculiarly identified with ventriloquism, the prac­tice of this art by unscrupulous priests would seem to afford a natural solution of the mystery. This explanation might also be applied to the phenomenon attending the dawning of a new day upon the colossal statue of Memnon, which stood near Thebes in Egypt on the bank of the Nile, and became renowned as the ” Vocal Memnon.” According to ancient tradition, this statue when first touched by the rays of the rising sun emitted a musical tone, like the snapping of a harp string, which the imaginative Greeks conceived to be the voice of Memnon greeting his mother Eos (the dawn).

 

Ventriloquism Is A Very Ancient Art

Ventriloquism is almost as old as the world, or at least as old as intelligible spoken language, but just when and where in the dim and misty ages of the past it had its origin will forever re­main unknown. Unlike other arts it was not brought to perfection through the slow develop­ment and accretion of years. From its very nature it must have sprung into existence full grown, like Venus from the sea. Under various guises its practice may be traced by the student in those venerable chronicles which faintly echo the long-vanished life of antiquity.

Although proof positive is wanting of the fact, it is fair to assume that many of the occurrences involving the assistance of an apparently super­natural voice, by which many of the old supersti­tions were fostered among the early races, were feats of ventriloquism. Such marvels are inex­plicable, if they are not pure fiction, except as the work of deception through the aid of ventriloquism.

So common indeed at one time was this belief in a ” second voice,” or ” familiar spirit,” as it was often called, that it took the form of divination by which the supposed spirit was evoked and con­sulted as to the right course of conduct on impor­tant occasions; and this divination, which was practiced in a variety of ways among the differ­ent semi-barbaric races of the ancient world, can be traced through a long period of time.

From the book Ventriloquist Secrets Revealed – a book that experienced ventriloquists have kept to themselves – until now.

 

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What Ventriloquism Can Do For You

Here is a great article I have just found on

Teaching and Ventriloquism Educate – Interview With Nancey Ambrose, a MA Ventriloquist and Teacher

1. What is one thing every Ventriloquist must do?

The most important thing a ventriloquist must do is PRACTICE every day! The best way for me to practice is in front of a mirror. Work on manipulation, lip control, memorizing your script, and especially just get comfortable with your puppet! Practice while sitting in front of the TV, a great way to learn how to ad lib. For lip control, I practice in the car without moving my lips! I sometimes sing along with the songs without moving my lips.

2. What is one thing every Ventriloquist must avoid?

Each ventriloquist is different. Individuals who want to become ventriloquists must avoid copying the ones they see.

I recommend: (1) Find out what is right for you. Search for information and talk to people asking specific questions. What are YOU comfortable with? What type of figure do you want to use – a hard figure or a soft puppet? There are advantages to both!

(2) Once you decide, get going! Never let anyone discourage you! Start practicing. You can even practice with your hand! Think about your character. It’s a big decision! Write a bio for your puppet. Ask it questions and get to know it!

3. Is this Ventriloquist stuff something that is here to stay?

Absolutely! Ventriloquism has been around for a long time and will be here for a long time. I go to the ConVENTion in Fort Mitchell, Kentucky, and there are over 400 people attending every year, an amazing number of people interested in ventriloquism to attend a convention in the middle of summer! Many young people attend these conventions as well.

Sales of Jeff Dunham’s video last year exceeded expectations. More people watched a ventriloquist in their home than possibly ever before. Dunham appeared on Comedy Central in his own special. No TV station is going to give a ventriloquist a special show unless they believe it will be watched repeatedly.

Dunham’s second DVD will be released soon and Comedy Central will be airing his second special in September 2007. Terry Fator, the winner of the television show, “America’s Got Talent,” is a ventriloquist which is quite impressive because there were thousands of different types of acts. Many families enjoyed great ventriloquism in their homes!

4. Can someone work successfully as a Ventriloquist if they are in a crowded niche?

YES! You need to find what’s right for you. Remember not to copy anyone else. Practice consistently and master your craft.

Have your own characters and your show ready to go! It is easier said than done but it can be done. Many professional ventriloquists work full time in their craft. They worked long hours to achieve success.

5. What has Ventriloquism done for you?

Ventriloquism has allowed me to take what I do professionally and combine ventriloquism with it. I work with children with cancer. I am able to take my puppets into hospitals and outpatient clinics to work directly with these children. Some of the children do not want to talk but many times they will talk to a puppet I bring in. The parents love it as well since they know how much the children love the puppet play.

Certain puppets and I have been able to stay with the children during painful treatments which comforts them. I also carry other puppets the kids get to use. Oftentimes the siblings join the fun as they also have many fears. The puppets occasionally have spent the night in the hospital. For example, I remember a 13-year old girl who had endured an extremely difficult surgery. She was angry and would not talk with anyone. I brought in a six foot dodo bird. She talked to the bird and asked if it could stay with her over night. I happily granted her request. Her mom said her daughter talked through the bird puppet and her talk was happy. In the morning the girl was ready to be herself again.

I also have bald ventriloquist figures and wigs to cover their bald heads if needed. Many of the kids love seeing puppets can be just like them!

6. What trends to you currently see in Ventriloquism?

I see ventriloquism being used in many different areas! I see it in comedy as well as in churches, birthday shows, magic shows, singing, and hospitals.

7. When did you first become interested in Ventriloquism?

I loved puppets when I was a child! When I was earning my Masters Degree in Early Childhood Education and Child Life (working with hospitalized children), I performed a complete program for a nursery school, teaching them about doctors and hospitals. This is when I used my first plastic ventriloquist figure who had a broken arm and a cast I put on the figure. We talked about what it was like going to the hospital. The kids loved it as did the other teachers and parents. It was great.

My first real job was putting together a program for school because it was the time of year for kids to return to school; that concept needed to be explained to the class. I developed a program with a couple of puppets and performed with a buddy which the class, teachers, and parents loved. I now perform an abbreviated program for smaller groups with one girl figure talking about cancer and how it affects life.

It’s great being able to do what I do!

Angela Scott

© September 4, 2007

Visit my website to read about more ways you can encourage, inspire and motivate those you live and work with to discover hope. http://www.thatstorylady.com

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Hi There

More to come soon.

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